©

memento-mo-ri:

7700k:

alexanderferrarino:

jacquemus fw14

Fuck

Well, damn.

justgo-up:

thousands of flower petals covering a town, blasted from a neighboring volcano, in Costa Rica.

(via dimisfit)

untrustyou:

Doublefaced No. 8
 Sebastian Bieniek
systemofadowny:

saepphire:

vexior:

that would be a very nice place to lay down and listen to music or read and feel the sun on your face


❁

My dad made a sofa like this

randomlovesawkward:

"Badass Versions of Beloved Characters"

by Sylvain Sarrailh: http://tohad.deviantart.com/

(via wewewe-soexcited)

darksilenceinsuburbia:

Tamsin van Essen

Erosion Series

This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.

(via everytimeidiabetes)

from89:

Vantage by Aakash Nihalani

On tumblr

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artchipel:

Bing Wright (b.1958, USA) - Broken Mirror/Evening Sky (2012)

Broken Mirror/Evening Sky is a new series of striking landscape photographs by New York based artist Bing Wright. Departing from his usual pared down images in grey palettes, Wright offers us moving skyscape photographs of richly colored sunsets reflected onto broken mirrors. This new body of work marks his first return to color photography in almost a decade.

The images are meticulously constructed through a combination of traditional documentary landscape photographs and the subtle manipulations of an image in the studio. Wright photographs sunsets, then projects the images onto mirrors he has broken in the studio. The mirrors are small, measuring just 14 x 11 inches. The artist re-photographs the reflection and then enlarges the image into a large scale format. This beautiful series incorporates Wright’s recurring themes of abstraction and representation – a contrast he masterfully balances by grounding these shards of images into a bold structure. While more abstract than some of his earlier works, the composition carries a narrative that enables the viewer to collectively experience the beauty of the sunsets the artist has captured, while facilitating an individual interpretation of the emotion they imbue. We are presented with pictorial images, fragmented and in disrepair – a reminder that everything beautiful is flawed and imperfect. Bing’s signature large format lends these images symmetry and exact composition, giving them a majestic quality. (src. James Harris Gallery)

© All images courtesy the artist

[more Bing Wright | artist found at mymodernmet]